Tuesday, December 20, 2011

When the going gets digital, the giving can get tough


Remember the anticipation you felt during the holidays when you were a kid as you bolted towards your stack of gifts?  If you were anything like us, you could never rip the paper off fast enough. Sometimes you raised your arms in triumph, your gift held high. Other times you could only stare incredulously at your gift, and wonder what other child’s wish list yours was confused for. 

With that being said, we know the holidays aren’t supposed to be about the presents, but rather about your family and friends, and being grateful for what you already have.

But ‘tis also the season for presents, and since it’s better to give than to receive, we came up with a list of digital gadgets that your video nerd will be sure to love. If you’re not into digital or video trends, buying a gift for someone who is can be really difficult. That’s why we’re here to help this holiday season:

Jordy Wax, a part owner of Contrast Films, said he REALLY wants a Nest thermostat.

“What’s great about it is it learns every time you use it, and eventually finds the perfect balance of keeping you comfortable, while conserving energy,” he said.

Priced at about $249, the Nest is a little expensive, but studies show it can save up to 20 percent on a home energy bill. Think about it as an investment.

Bennet Rhodes, a producer at Launch Media, said he would like nothing more than the new Canon EOS C300 interchangeable-lens video camera. Priced at $20,000, Bennet is a little crazy.

Sean Udy, another producer and editor at Launch, wants a RED Scarlet camera. Known for its flexibility and high quality, this camera will run you about $9,750. Sean and Bennet may need to put something else at the top of their wish list.

A simple, more affordable point-shoot camera is the new Nikon COOLPIX S2800  camera. You know, the one with the Ashton Kutcher commercials? Ashton Kutcher aside, the camera has some pretty cool features – like simultaneously filming while taking stills. Priced at $249.95 at the Nikon online store (on sale), it’s a more affordable camera option.

And of course, tablets are trendy this holiday season for the tech savvy among us. iPads are more versatile, but cost more than a Kindle. Kindles do not have cameras and have slower processing speeds, but they do allow for local and cloud storage, web browsing and digital entertainment services (books, music and video). The choice between an iPad and a Kindle depends on what you want to pay for, and what you don’t want to pay for.

We hope our holiday shopping tips help you with finding a digital and affordable gift for the tech junkie you love!

Wednesday, October 26, 2011

LSU offers new Film and Media Arts Concentration


Louisiana’s film industry is growing, but it’s not just for the rich and famous.  

Louisiana State University welcomes Film and Media Arts as a new concentration under the Bachelors of Arts and Liberal Arts degree.

Film and Media Arts began as a minor at the University. James Catano, the Director of Film and Media Arts, said the minor contained as many as 90 students in a semester; thus, student interest created a need for the minor to expand into a concentration. The first group of students who enter into the concentration can graduate in December 2012 with a Bachelor of Arts and Liberal Arts with a concentration in Film and Media arts.

Catano, with the help and support of Greg Schufreider and Patricia Suchy, the Director of Graduate Studies and the Director of the Department of Communication Studies, respectively, pioneered the concentration in the wake of University budget cuts.

During Catano’s first year as program director, his concern was the University giving the appearance of creating a program they may be unable to sustain. He waited until his second year, 2010, as director to create a response to student interest and need. With the help of Suchy, he came up with numbers that proved student need, citing approximately 90 students in the Film and Media Arts minor in one semester, and approximately 80 students in the minor consistently every semester.

“We looked at the numbers and discussed as faculty what we wanted, so on and so forth,” he said. “Everything came together and it was clear we could put this together without concerns of finances right at the moment being impacted, and so we put it in.”

Many departments comprise components of the Film and Media Arts concentration, with the majority coming from the College of Humanities and Social Sciences.

Jordy Wax, the co-owner of the Baton Rouge based event production company Contrast Films, had an FMA minor during his time at LSU. He was among early students to graduate with an FMA minor in 2007.    

He began the program after working on a project called The Louisiana Story with Suchy and Catano. Suchy mentioned the minor to students working on the project.

“It sounded right up my alley,” Wax said.

Catano said he believes Film and Media Arts will go into its own free-standing degree if the numbers continue to prove promising. However, concerns regarding state budgeting and staffing still exist.

Because the program incorporates courses from various departments, Catano said they have a small enough budget that the program is unlikely to be cut.

“There’s not enough money to bother taking,” he said.

Within the film industry, two kinds of positions exist: above the line and below the line positions.

Below the line positions are on-site hires and crews for skills like lighting and sound technicians and gaffers.

Catano said the program aims at students interested at above the line positions as directors, producers, screenwriters and cinematographers.

“I learned things like history of film, and learning about the - not just the technicalities of film as it was so much the ideas of what shots mean and the types of stories you can tell,” Wax said. “I thought that was really cool.”

 “We don’t try to train students way in advance. Ok, you want to be a cameraman, great. You want to do sound, great. Those are technical skills that we introduce students to, but not with the idea of them getting a full final training in that,” Catano said. “That can be picked up in lots of professional places. Our goal is to aim students toward knowing their industry as a whole, both nationally and internationally, understanding that film, media, goes far beyond the borders of this country, far beyond the borders of this state [ . . . ] The goal is to get students to know the full industry and not to compartmentalize themselves too soon.”

Wax learned below the line positions through blogs and forums, but he appreciated that the FMA program allowed him to branch further.

 “It would be a lot more difficult for me to get that just standing over someone’s shoulder on a shoot. I think that being in an environment like the Film and Media Arts program allowed us to really have some good conversations about the ideas of directing, and not taking film as literally as maybe a below the line job has to take it.”

The FMA program’s emphasis on above the line also applies to Contrast Films.

“Some of the work we do here can easily be monotonous [ . . .] and I feel like being able to look at things in a different light and just looking at it as more than just a job and looking at it as an art – that type of mentality I can trace back to my time at LSU in the FMA program,” Wax said.

While the concentration focuses on film as an art and industry, it also explores media arts.

Catano defines media arts as the expansion of the concept of film and what has followed since.

“Media arts and our sense of why we added it to the title is simply a way of suggesting the technology has far outstripped the idea that one makes moving pictures in film,” he said.

The concentration uses digital cameras in their production courses, instead of film. Resources at the University also include Studio 151 – a studio that offers HD camera rentals, Final Cut Pro editing software and project feedback. 

Wax advises anyone interested in the film industry to never turn anything down.

“If you have the opportunity to work on a film or work on, even if it’s your friend’s student project or something like that,” he said. “I’m a big believer in every shoot that I’ve ever worked on I’ve learned something on”

Pay attention to class material, but be aware learning does not stop in the classroom, he said.

“Video was just a hobby at one point,” Wax said. “And after studying it in school, I could do it for a living whether it’s just moving lights around or starting your own business.”  


Tuesday, September 13, 2011

The evolution of human interaction



www.launchmedia.tv

Set in the 1970’s: The man with big curly hair and a Clark Gable mustache cannot get his message across. His team looks confused, which means his communication strategy is less than groovy. Notice the confused and exasperated looks on their faces? How about the man with the big curly hair’s frustration? A flat message was something you could use in the ‘70s - we hadn’t evolved our communicatory functions yet – not the case in 2011. The man with the big curly hair’s “a-ha” moment should be when he realizes his message isn’t the problem; rather, his delivery falls on its face.

What does it mean for a communication strategy to fall flat? It probably means the method is outdated. As communication technology evolves, your strategy and implementation of that strategy must also. Today’s workforce is watching video on their computers via YouTube, online news sites and Internet streaming, TVs, smart phones, tablet devices and digital billboards just to name a few. To expect an audience to respond and engage to a communication method that doesn’t play in the same space that they go to for information is unrealistic, or at the very least, risky.

Video is the best way to engage today’s workforce. Rich Media suggests viewer engagement increased by a whopping 400 – 700 percent when they use video to engage audiences versus static content. The team here at Launch Media is working hard to make workforce videos a top priority. And we’re not talking about boring videos with droning narrators. We’re making videos that are visually engaging, and thus, more effective at conveying a message, whoever the audience may be. We’ve worked with the Baton Rouge based industrial powerhouses like Turner, Shaw, and Albemarle as well as onsite in Texas for the Shell owned, Motiva. The Motiva project is the largest industrial constructional expansion site in North America, and our team works to deliver workplace safety and training videos to the workforce, providing them with an avenue to become plugged in to management’s safety culture initiatives. With such a diverse group of contractors, everyone being on the same page is key to efficient daily operations, and video is the preferred method of delivery for this. This multi-media communication strategy is just one example of a company who values seamless communication, crossing cultural lines and language barriers.

Although we have a new focus on workforce development video, we’re not shying away from marketing video. We love marketing and have done numerous marketing videos for clients like Exxon, Eatel and the Baton Rouge Area Chamber. Like workforce development, efficient marketing also requires that you engage a consumer’s audio and visual senses.

Keep your eyes peeled for more video from us on how communication is forever evolving. Over the next couple of months we will be adding to the series by sharing a video presentation on the topic. Also, give us a call if you have any questions or comments about workforce development or marketing video. We’d love to talk.

Stay tuned!


www.launchmedia.tv
225-612-2112

Wednesday, June 8, 2011

We have a new look (and it includes a rocket ship!)

Get ready for take off!

The team here at Launch Media revamped the company image in an effort to more clearly tell you how we can help you launch.

Take a look at our new website and see for yourself:

http://launchmedia.tv/

Rocket ships, right? How about that "Launch" flag on the moon? Beyond the fun stuff, this site is more navigable; thus, more consumer friendly. If you didn't understand our mission before, you do now! 

As a supplement to our site, we've also added a Vimeo Channel.

http://vimeo.com/launchmediatv

As you can see, the Vimoe site hosts samples of our work as well as testimonials. You can be sure we'll update this site frequently as it's practically a portfolio.

We hope these two sites will help you get the most from what Launch Media has to offer. 

We made the leap. Will you?

Friday, May 6, 2011

Head 2 Toe takes place this Saturday, May 7

Ask any woman what they want for Mother’s Day and the vast majority will likely ask for a day to themselves.

Tricia Bolin, a nurse from the prenatal unit at Women’s Hospital, is looking forward to just that.

Bolin, the winner of inRegister Magazine’s Head 2 Toe event, came to Launch Media’s set on Thursday, April 21, to tell the cameras what she most anticipates.

“I’m excited about being able to relax and have a day for me,” Bolin said, “but I’m also excited that we’re going to raise awareness for a lot of people who don’t know about premature and sick babies.”

Head 2 Toe is an event geared for women looking to be pampered. Local vendors, including boutiques, spas and restaurants, will feature their products at the Crowne Plaza Hotel this Saturday, May 7, 2011.

As winner, Bolin’s video will air during the event. In the video, Bolin speaks about her experiences working with premature and sick infants as well as the recent loss of her husband and high school sweetheart.

“The makeover process selection is based on women in Baton Rouge who have an inspiring story and can inspire our audience,” Jeanne McOllister, from InRegister Magazine, said.

Bolin’s friends and family, who also visited the Launch Media set to explain to the cameras why she deserves the day of beauty, described her as inspirational, personable and intuitive.

McOllister said video was conducive in allowing Bolin’s story to resonate with the audience.

“The video allows the audience to see, hear and experience our winner’s story before revealing her makeover to our audience,” she said. “It’s more than a makeover; it’s celebrating her beauty both inside and out.”

The team at Launch Media definitely agrees that video is the best way to engage all an audience’s senses.

"The most important thing to us in producing this project is helping to share Tricia's story with others," Wes Kennison, our operations manager, said. "She's overcome incredible odds throughout her life, and being able to hear her tell her story accompanied by images is the most effective method of helping folks understand who she is and how her experience has shaped her."

Through video's visual and sound components, Bolin can create a relationship with her audience, allowing them to empathize with her story.

Monday, April 11, 2011

If used correctly, video can launch your business to new heights


Long gone is the age of dial radios and record players. We are in the midst of a digital and ever-evolving consumer driven world. The worst thing that could happen to a company is getting left behind.

That’s also the worst thing that could happen to advertisers.

Advertisers must adapt to new and popular technological trends to reach their target audiences. Print isn’t the old medium anymore, and hasn’t been for awhile.  

Our high tech era allows advertisers to demonstrate their product rather than only explain. Video does more than sell a product. It sells a lifestyle. Consumers can see the soccer mom bringing her smelly kids to practice; thus, they see why she needs Febreze. This type of advertising is more powerful than a photo ad with a line of copy. Another bonus? While print requires sight, video requires sight and sound.

So how do you achieve advantages of video advertising?

First, create a story for your product. Present the ideal consumer’s need and then your product that satisfies their need. Keep it simple. A consumer shouldn’t have to think too hard about why they need your product. Also, make sure it resonates with your target audience. AARP doesn’t have the same target audience as Wii.  

Let consumers see a member of the target audience using the product. According to the One Market Media Blog, higher retention rates are a result of consumers seeing what they’re hearing (this goes back to sight and sound). Showing consumers how a product satisfies their wants or needs persuades and engages your audience in a way other mediums cannot.

Your content must encompass your communication objectives.  Great stories don’t resonate without persuasive content. The content must convince them that your product fits their lifestyle and needs.

Two-way communication is probably the most important factor in the digital age. A consumer will offer feedback on a product, positive or negative. To see how your product fares, offer your own feedback channels. This allows you to improve, remedy or enhance different features. Owned feedback communication channels may also prevent negative reviews on different media outlets. In addition to feedback, you can also help a customer troubleshoot. Customer service makes consumers feel important to the brand or product.

Think about perspective. You love your product and you think it works. Competitors think their product is better. However, the only perspective you need to worry about is the consumer’s. How are you going to convince a consumer that your product is right for them and better than the competition’s? Convey your understanding of their needs. Remember, people won’t care about your supply unless you care about their demand.

Last, but not least, remember why you are using video. Think about which buying stage your consumer is in. Are they loyal customers? Is there a big market for your category, but not necessarily your brand?  Make sure you address these issues in your communication objectives.

And there you have it. A break down of using video to sell a product or brand. We hope this helps and as always, feel free to contact us with any questions, comment or suggestions. We love to talk so give us some feedback! 

Wednesday, March 16, 2011

Beauty is only lens deep

Camera: it'll swing you a few bucks
Staff:  if you're a college kid, friends you bribed with a case of beer; if you're a production company, real money
Knowledge of framing, motion and lighting: priceless

Basically, anyone with a camera can say they make commercial videos. With the rise of YouTube and consumer demand for video, the costs of video production have gone down. Unfortunately, so has quality of video.

As stated in "Are You Ready for Your Close up" from Entrepreneur http://www.entrepreneur.com/article/217908 , videos that are just "good enough" aren't good enough for businesses.

As a business, you want a consumer to know your brand, product or company is worth something. Using poor quality commercials aren't going to get that message across. A "Craig's List Kid," as described in Entrepreneur, may be using your video project to decide whether he even likes video. Yeah, he may be creative and innovative but is he business savvy?

Let us explain.

A great shot is essential to a great quality video. But a great shot that doesn't encompass communication goals and objectives and doesn't resonate with the target audience is really not that great of a shot. A commercial video has to do more than showcase a production company's talent. A great commercial video showcases a company or brand's personality and goals. Talent is nothing unless it's utilized efficiently.

So before you create a video you can't wait to upload to YouTube, ask yourself if the only place it belongs is YouTube. If you can't reuse the video in a commercial, in internal operations, on a website or in social media, you may want to rethink the quality of that video.

Wednesday, March 2, 2011

Mardi Gras is right around the corner . . . this weekend actually.

Beads, booze and plastic babies are not typical holiday staples like eggs at Easter or fireworks on Independence Day. But for Louisiana residents, these staples indicate the most wonderful time of the year.

Smiley Anders, a columnist for the Advocate and the third king of Baton Rouge’s Spanish Town parade in 1984, said Louisiana’s Mardi Gras is unique to the state.

“It’s really something hard to explain outside of Louisiana, and people know about it, but until you’ve lived here and experienced it . . . It’s really my favorite event of the year,” he said.

Although Louisiana, and most specifically New Orleans, is a world-renowned Mardi Gras destination, the festival actually began in Rome when the city embraced Christianity. Rather than abolishing pagan rituals, early Church fathers incorporated them into the new faith. Like today, Carnival was a period of debauchery before the somber Lenten season.

In the United States, Mardi Gras reached Alabama before it hit Louisiana.

“The crazy thing is Mardi Gras started in Alabama, but Baton Rouge and Louisiana has embraced it as a strong part of our culture,” Whitney Breaux, the Director of Social Media and Public Relations at Wright Feigley Company, said. “It signifies something of a get away, a new experience of something fun, something exhilarating that you can’t experience anywhere else.”

Breaux’s favorite Baton Rouge parade is Spanish Town.

“I really like it because it jogs your creative bone a little. The slogans, the satire – it’s better than SNL [Saturday Night Live],” she said.

The 2011 Spanish Town theme is “BP Blows and Wiki Leaks” according to Bruce Childers, the president of the Society for the Preservation of Lagniappe in Louisiana (SPLL). SPLL is the organization that sponsors the Spanish Town Parade.

“We generally choose topics that are timely to political, national or just local events, but mainly we try to hit on local issues and come up with a name everyone can have a lot of fun with,” Childers said.

Anders, who also serves as a Spanish Town float judge, anticipates what kind of floats the theme will inspire.

 “I’m sure we’ll see some really bad taste,” he said. “I’m looking forward to that.”

As a tip to contestants, Anders revealed one of his favorite parts of being a float judge.

“We actually have the float stop in front of the reviewing stand and some riders get off with a keg of beer which is an ultimate bribe, and we respond to bribes,” he said. 

Both Childers and Anders have been involved with the Spanish Town Parade for a number of years.

Anders is even installing an extra bathroom for his home in Spanish Town because of the amount of traffic that rolls through during the parade.

“One of the main attractions we found is a bathroom,” he said.

Strangers will enter his home to use his bathroom, but Anders doesn’t mind.

“We say open house so we mean open house and anyone is welcome,” he said.

Childers, who has been involved for the better part of 20 years, said he is amazed at how the parade has grown.

“It was just residents in this mini-town that decided to walk around and throw beads in their front yards so it wasn’t a city wide attended event. It was primarily just for Spanish Town residents,” he said. “It took a life of its own and continued to grow with popularity within the neighborhood.”

Breaux, who has lived in Baton Rouge for the past 23 years, said she’s also impressed with its growth.

Of the previous Spanish Town kings, Smiley Anders is her favorite.

“You read his work every week in the Sunday Advocate and he’s such a funny guy and his personality is great and to see him in his element – it brought the words he said on paper to life,” Breaux said.

Anders said as king he felt like royalty. The honor was also special to him because it was in his own neighborhood.

“I’ve lived here for some time,” he said. “We have an open house and jambalaya and kegs of beer and the neighborhood would open itself up to the rest of the area.”

The Spanish Town Parade is also as profitable and charitable as it is fun.  

From its humble beginnings to now, Childers said the revenue the parade has brought into Baton Rouge is in the million-dollar mark.

Additionally, SPLL divides the proceeds from the parade evenly among the 12 board members to donate to their chosen charities. 

“The parade raises money for charities,” Childers said. “We donate probably between $60,000 to $80,000 a year to local charities.”

But what about a New Orleans Mardi Gras?

“Spanish Town is more of a Baton Rouge thing,” Childers explained.

He said floats in Spanish Town are much cheaper to ride than floats in New Orleans.

“It’s for the average person to attend,” he said.

Mardi Gras reached New Orleans in 1699 when explorer Jean Baptiste Le Moyne Sieur de Bienville landed on ground south of New Orleans. He called the plot “Pointe due Mardi Gras.”

He also established “Fort Louis de la Louisiana” which celebrated Mardi Gras in 1703. Fort Louis de la Louisiana is now Mobile, Ala.

“Mardi Gras has turned into a huge economic generator,” Mary Mouton, the President of Mouton Media in New Orleans, said. “It’s a national and international attraction that has highlighted the rich culture of this city. It has an economic benefit, but also a huge cultural benefit too.”

Mardi Gras’ economic benefit exceeds $1 billion in annual spending, according to mardigrasneworleans.com.

In 2009, the total direct economical impact of Mardi Gras on the New Orleans economy was $145. 7 million, according to a study from Tulane University called “Economic Impact of Mardi Gras Season on the New Economy and the Net Fiscal Benefit of Staging Mardi Gras for the City of New Orleans.”

But perhaps more important is the unseen cultural benefit.

Mouton said she remembers her first Mardi Gras as a 6 year old child hoisted on her father’s shoulders.

“Watching the floats, feeling the drum beat of the bands and the movement of the floats was like a dream,” she said. “I guess it’s the most memorable because I was so small and Mardi Gras is a larger than life experience. The funny thing is that as an adult that perspective still hasn’t changed.”

Breaux said her most memorable Mardi Gras experience was also as a child.

“I was 7 years old in Lafayette which is more of a family experience,” she said. “I got to ride in a parade which was a ton of fun.”

Like Breaux, Mouton’s favorite past King is also a local celebrity: Drew Brees from 2010’s Bacchus Parade.

“Our Super Bowl MVP. Need I say more!?” she joked.

Though Mardi Gras is perhaps the most wonderful time of the year, revelers should heed a few cautionary tips.  

Plastic babies hidden inside King Cakes can be choking hazards. Also, whoever finds the baby must purchase the next King Cake.

Secondly, tit for tat isn’t always the case when it comes to beads.

“Women taking off their shirts for beads,” Moutin began, “Sorry, but I’m going to need a lot more than a pair of beads to do something like that!”

Childers said one of his concerns was the lack of metal barriers at the Spanish Town Parade.

“We don’t have enough to line the entire parade route,” he said.

Childers said he frequently sees people, especially children, running into the streets to catch beads.

“The thing I’d like them keeping in mind is that it’s just beads,” he said. “Don’t risk life and limb.”

Also, be aware of the surroundings and considerate of others. Mardi Gras parades or events are typically very crowded so expect a couple mishaps, such as someone stepping on feet or spilling a drink. Most likely it’s an accident so don’t let a minor mishap spoil the fun.

And whether you celebrate Mardi Gras in New Orleans or Baton Rouge, you’re sure to have a great time. Remember to beware the plastic babies when inhaling King Cake and enjoy the beads and booze.

The Spanish Town Parade will occur this Saturday, March 5 beginning at noon.